Wednesday, 27 April 2016

Schnitzel, Schwarzenegger, Schonnbrun and The Sound of Music: A Week in Wien

Ever since watching The Sound of Music as a child, I've dreamed of visiting Austria. Having spent half of my childhood idolising Liesl, being unable to go to bed without a rendition of So Long, Farewell and years of wondering what schnitzel actually looks like, it was about time I visited the country which had inspired so many fond memories and family sing-alongs.

Instead of the sloping hills of Salzburg where the famous external shots of the movie were shot, we visit the capital - the authentic birthplace of the Von Trapp's story. This was where the famed matriarch, Maria von Trapp was born and where our holiday was to begin.

Expecting an Arctic wind and to spend the majority of our trip hurricaned in the middle of our scarves, landing at 10pm to 17 degree heat was a pleasant surprise, and one which rightfully attracted a few odd looks from locals in T-shirts.
 
 
We catch a taxi to our flawlessly chic apartment which boasts the perfect morning coffee spot - a balcony overlooking the city. A childish delight sweeps over us when we discover that our neighbour has the surname Schwarzenegger. Finding the Terminator next door in Vienna is probably the Austrian equivalent of seeing a Jones sign in Cardiff Bay and hoping it refers to Sir Tom. Yet, the hope of a Hollywood ending and getting to meet the muscle man in person keeps us amused all week. 

The next morning, fuelled on caffeine and a brioche loaf sourced by my father on one of his pre-dawn adventures, we head off to explore the magnificent metropolis around us. Within minutes of leaving the metro though, we're ambushed by millions of men in tights singing off-key renditions of operatic classics trying to sell us tickets to various concerts taking place across the city. 
 
 
We surrender to one man offering an evening of ballet, opera and an orchestra performance by the Wiener Residenzorchester at Palais Aursperg, and take shelter in a patisserie to map our escape route out of the firing line of the pretend Pavorttis.
 
 
After more coffee and a taste of the Viennese signature cake, sachertorte, we head for the Museum Quarter where tourists can mingle in peace with the neighbourhood's arty folk. We enjoy the interior design hubs, book shops and bask in the springtime sunshine in the courtyard over fantastic food.

Being part of a family uneducated in contemporary artistic statements, most of our amble around the exhibits at The Museum of Modern Art consists of pulling perplexed faces and stifling laughter.
 
 
The highlight of the visit was my father being told off for standing on a piece of masking tape on the floor which purported to be a piece of art. He voluntarily escorts himself off the premises and bids us farewell with, "I clearly do not belong here." My mother, sister and I continue to look around, but our sensibilities are soon offended by the graphic displays. We do not belong here either. 

Looking around the grounds, gardens and grand rooms of Schonnbrun Palace takes me a few hundred years into the past and back to my comfort zone. I'm amazed to find that Marie Antoinette was not French at all, but a daughter of the Hapsburg empire. JFK and Khrushchev also faced off within these walls in 1961, a few months before the end of the world looked near during the Cuban Missile Crisis
 
 
Moving from historical culture to popular culture, we tour the Wiener Prater, a funfair which doubled as the film set for The Living Daylights. The amusement park was built in 1897 to commemorate the 50th anniversary of Franz Joseph I of Austria's rise to power. Ironically, despite the fair only meant to be a temporary recreational space, its ferris wheel now reigns as the oldest in the world. The excitement of the day was also shaken and stirred when my family found out that they had ridden in the same carriage as James Bond.   
 
 
The Sigmund Freud Museum was a fascinating place - not only telling the well-known story of the father of psychoanalysis, but also the lesser-known narrative about the deal he made with the Nazis. His apartment and private practice, which he frequented from 1891 until he fled Vienna during the Anschluss of 1938, remains largely unchanged. Before the invasion, he was known to charge the equivalent of £2,500 an hour in today's pounds for one session. He paid the Third Reich an exorbitant amount of money to flee Austria, and surrendered his home to Nazi occupation.
 
 
The theatre awaits and we head off to the palace ready to immerse ourselves in what the country does best: music. The orchestra is superb, playing many pieces off by heart. Humour is also peppered into the pieces as the musicians interact with each other and  twirl their cellos to the delight of the crowd. My mother and sister are even more delighted that the world-class pianist looks strikingly like me. Yet, the pinnacle of my pianistic ambition ended with perfecting the Rugrats theme tune on my keyboard!

Ballerinas float onto the stage and we are enchanted by the grace, strength and agility of these athletes and the ease with which the male ballerina throws his partner around the stage. We eagerly wait for the opera singers to arrive and are spellbound by the fantastic sounds that reverberate from the chandeliers. I leave with the surprising assertion that the opera was my favourite part of the performance.  
 

Not quite having enough pennies in my purse for an opera ticket at the Vienna State Opera, where seats can sell for around 400 euros, I settle for a reasonably priced guided tour instead. We find out that no performance runs for two consecutive nights due to the singers needing to rest their voices and that it is bad luck to whistle inside because the noise resembles that of a gas leak! A debutant ball also takes place each year showcasing eligible ladies from Vienna and beyond, who waltz their way into society. 

This city embodies a kaleidoscope of cultures, with Viennese traditions integrating with Jewish enclaves. Time periods merge together as modern trams travel through imperial lands and businessmen with man buns rush to work on scooters alongside tourists on pushbikes. This is where East and West collide to create a city brimming with cakes, castles, concerts and where my camera is filled full of memories of some of my favourite things.

Tuesday, 12 April 2016

Bristol, Boats, Banksy and Being Creative: A Week at Mollie Makes Magazine

Speeding across the Severn Bridge with an old friend, heading for a new adventure - my week of work experience has begun. Busted's Year 3000 is playing, the sun is shining and I am ready for all that Mollie Makes magazine has in store.
 
I'd been to Bristol before. I've attended an university open day, visited the airport and was once stationed in Cribbs Causeway when my father charged back home to secure the passports we'd left behind. But this time seemed like the first time I had really experienced Bristol in all its charm and glory. In the past, I had known it as a place to jet away from, not a city to rush to. Now, having spent a few days at its heart, I can firmly say that Bristol has a lot to offer to rival the boutiques of Paris, Amsterdam's canals and the buzz of Barcelona.

 
All checked in to my hotel room, I settle down in my home for the coming days. I hang up my clothes, read a bit of Cosmo, make myself an interestingly flavoured cup of tea and come to terms with the fact that this is a new "first" for me: I am staying alone in a hotel room. I am so used to laughing uncontrollably with my sister, preparing for a transatlantic flight to the Big Apple or to Disney's Magic Kingdom, the silence is a little disconcerting. Yet, there's something strangely satisfying in knowing that this is something new, grown-up, a first step onto both  the ladder to adulthood and a career in journalism. Nevertheless, the silence doesn't last long.

 
Will, the singing chauffer  appears in the lobby and we head off on what was meant to be an evening tour of Bristol, but turned into a crusade to find the city's best cocktails. With drenched coats, raindrop speckled glasses and frizzy hair, we end up in Turtle Bay. It is lovely to catch up with a school friend, listen to some groovy music and enjoy a few funky beverages before the hard work begins.

 
Next morning, I'm in a mad rush to make myself look presentable and find the office. I head off to grab a Starbucks coffee hoping it will help on both accounts, and find myself arriving at the office embarrassing early. Immediate Media is so close to my hotel, I'm pretty sure staff were treated to a concert of country music accompanied by a few verses of the Frozen soundtrack as I  milled over my office outfits at 8am.
 
Cath Dean, Mollie Makes' editor comes down to greet me and we shoot up to the 11th floor to the workspace with a pretty fantastic view of the city. I'm put in charge of the Pinterest account and spend the day scanning the internet for the best of the web's customised notebooks, rainy day accessories, DIY tattoos and inspiration for a royal garden party. By the time 5 o'clock comes around, I'm sure I'm next in line for the Pinterest throne.

 
 I research new trends in the interior design and craft universe, find designer/makers to be featured in upcoming issues, curate content on a few pages and generally enjoy watching magazine makers in their natural habitat. It is fascinating to be welcomed inside the magazine bubble.

Jeans and Vans are the norm, meeting areas are full of bean bags and morale boosting award ceremonies are taking place left, right and centre. In the middle of this wonderfully creative world, I have this all-consuming realisation that this is a place for people who like to draw outside the lines, who get to play around in a jungle of  escapism every day, and I am more than ready to be welcomed into the pack.

 
 
Lunch breaks and evenings are spent milling around side streets and canals. St Nicholas Market wins the prize for the most delicious frittata I have ever tasted, with the riverside succeeding in both embodying fast-paced Britishness with a laid back continental feel. It is easy to forget I'm nestled on British shores, yet am comforted when I hear familiar accents, Anglicised wit and feel the unmistakable, refreshing channel air.

I watch the rowers rush by, buy an ice-cream by the river's edge, walk along the overgrown tramlines and embark on a quest to find a Banksy. Sandwiched in the docks, I find the famous Girl with a Pierced Eardrum, and make the ultimate artistic faux pas of being unable to locate the earing (I'll give you a clue. It's the alarm box) I think I'll stick to the writing malarkey for now!

 
All in all, it was a week of learning, exploring, growing up and having a taste of a tangible dream. It started with Year 3000, but here's to hoping that 2016 is the year that I get a little closer to joining the creative tribes, where my scribbles are seen as stepping stones to success and jeans and Vans are ways of earning my magazine stripes!